I think of photographs as inherently abstract - a particularly photographic compression and expansion of space and time - and by photographing in an observational style things that are without a clear narrative context I am emphasizing what for me, makes photographs so compelling to look at and think about.
SELECTED EXHIBITIONS
2009
@Paris: mus-mus.org (curated by Stephen Shore & Gil Blank)
Words Without Pictures: published comments and responses.
2008
MOCA Bakesale: A collaboration with Angie Lee
Turn.: Shotgun Space, Los Angeles, CA
2004
Group Show: Antai Gallery, Los Angeles, CA
Girlfriends, Wives & Lovers: Postartum, Long Beach, CA
Group Show: London Street Projects, Los Angeles, CA
1998
Volunteers, works by Angie Lee & David Weiner: Austellungsraum, Frankfurt, Germany
1996
Etwas besseres als den Tod findest du überall, Frankfurt, Germany. Curated by Thomas Erdelmeir, Brigitte Franzen and Manfred Schneider.
Windegg, an installation and Easter egg hunt. Made in collaboration with Angie Lee, Florian Haas and Martin Schmidl at Three Day Weekend, Los Angeles, CA
1995
"You Have the Eyes of a Stranger" published in Camera Austria, issue 50
Three Day Weekend Takes an Extended Working Vacation, DiverseWorks, Houston, Texas.
1994
Errant Bodies #2, Los Angeles, CA. Backyards project published
1993
The Los Angeles Festival: Crossing L.A Documentary/Installation with Diane Bromberg, Benjamin Craig, Josh Hartley, Laura Owens, Colin Zaug
1992
FAR Bazaar. The Old Federal Reserve Building, L.A., CA. News World Order - Group Show
Four (More) Years Of... at The Los Angeles Center for Photographic Studies, Los Angeles, CA.
EDUCATION
1995
CalArts: MFA. Photography and Critical Studies. Studied with Ellen Birrell, Judy Fiskin, Allen Sekula & Dick Hebdige, Jon Wagner
1993
CalArts: BFA. Photography Department
Fall 1991
NSCAD: Intermedia/Documentary Photography studies with Bruce Barber, Gary Wilson
1990 - 91
SFAI: Studied photography with John Collier Jr., Linda Connor, Jack Fulton, Hank Wessel
1987 - 89
SFSU: Studied photography with Robert Dawson, Jack Welpott